Global Journal of Human-Social Science, A: Arts and Humanities, Volume 21 Issue 12
Volume XXI Issue XII Version I 54 ( ) Global Journal of Human Social Science - Year 2021 A © 2021 Global Journals The Indian Theory of Drama never audience ( ś rot ā ), however there was always the speech element in it, which was a thing to be heard. W orks C ited 1. Bansat-Boudon, Lyne. “Artaud’s Poetics, or N ā tya śā stra and Post-modern Theatre” in Radhvallabh Tripathi, N ā tya śā stra in the Modern World: Proceedings of the World Sanskrit Conference. Voll. III 51-62. New Delhi: D. K. Printworld, 2014. 2. Kushwaha, M. S. “Indian and Western theories of drama: An Introductory Note”, in Dramatic Theory and Practice: Indian and Western , edited by M. S. Kushwaha, 9-14. New Delhi: Creative Books, 2000. 3. Ghosh, Manmohan. The N ā tya- śā stra Ascribed to Bharata-Muni . Calcutta: Asiatic society of Bengal, 1951. 4. Gupt, Bharata. “Editor’s Preface” N ā tya śā stra Revisited , edited by Bhararta Gupt ix-xv. New Delhi: Bhartiya Vidya Bhawan, 2016. 5. Lath, Mukund. “The Making of The N ā tya śā stra : A Structural Approach,” New Perspective on Indian Poetics , edited by M. S. Kushwaha, 1-32. Lucknow: Argo Publication House, 1991. 6. Lutze, Lothar. “Indian classical drama in the light of Bertolt Brecht’s Dramatic Theory and Practice” Dramatic Theory and Practice: Indian and Western , edited by M. S. Kushwaha, 97-109. New Delhi: Creative Books, 2000. 7. Mishra, Dr. Brajvallabh. (1988) Bharata aur Unka N ā tya-Sh ā stra ( Bharata and his N ā tya śā stra ), Allahabad: Northcentral Zone Cultural Centre. 8. Narayanan, M. V. “Reconsideration of the Mimetic Model: Affinities of Conventionality in Classical Indian and Modern Western Theatres”, in Dramatic Theory and Practice: Indian and Western , edited by M. S. Kushwaha, 132-140. New Delhi: Creative Books, 2000. 9. Raghwan, V. “Sanskrit Drama and Performance,” JSNA_Vol.38 (02) 15-35.pdf. 10. Rangacharya, Adya. The N ā tya śā stra . Delhi: Munshiram Manoharlal Publishers, 1996. 11. Rangacharya, Adya. Introduction to Bharata’s N ā tya śā stra . Bombay: Popular Prakashan, 1966. 12. Sreenivasarao’s Blog. (2017) https://sreenivasaraos. com/2017/12/09/concerning-the-dasarupa-of-dhan anjaya 13. Tripathi, Radhvallabh. N ā tya śā stra in the Modern World: Proceedings of the World Sanskrit Conference. Voll. III . New Delhi: D. K. Print world, 2014. 14. Tripathi, Radhvallabh. “An Introduction to ten Forms of Sanskrit Dasharupakas”, Saahityam Dr Tripathi Episode 1 Dasharupakas . https://youtu.be/unQkO PikJ 2021. 15. Vatsyayan, Kapila. Bharata: The N ā tya śā stra . Sahitya Akademi, 1996.
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