Global Journal of Human-Social Science, A: Arts and Humanities, Volume 22 Issue 5
© 2022. Betzy González Marín. This research/review article is distributed under the terms of the Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You must give appropriate credit to authors and reference this article if parts of the article are reproduced in any manner. Applicable licensing terms are at https://creativecommons.org/licenses/by-nc-nd/ 4.0/. Hegemonía y Carnaval: Apropiación Cultural Del Carnaval Panameño a Inicio de la República By Betzy González Marín Abstract- The purpose of the writing is to analyze the appropriation process of the most deeply rooted popular festival in Panamanian society; I mean the carnival. To this end, the mechanism used by the hegemonic class to take over the almost exclusive celebration of the popular sectors is described. The function of the new celebration model imposed by the elite and the role of the dispossessed are explained. The research has focused on the iconographic analysis (photos of the coronation of queens, parades, allegorical cars) literary (poems) and advertising sources (newspapers, magazines, memoirs and gazette of the time). Palabras claves: apropiación cultural, carnaval, hegemonía. GJHSS-A Classification: DDC Code: 895.7309 LCC Code: PL967.6 HegemonayCarnavalApropiacinCulturalDelCarnavalPanameoaIniciodelaRepblica Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 22 Issue 5 Version 1.0 Year 2022 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Strictly as per the compliance and regulations of:
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