Global Journal of Human-Social Science, A: Arts and Humanities, Volume 22 Issue 5

contempt. C.Rajagopalachari’s view of the cinema as the source of moral corruption was pre-dominant in their minds. However, Dravidar Munnetra Kalazhagam (DMK) took film seriously as a vehicle for political mobilization. The interview Hardgrave had with the great lyric writer Kaviyarasu Kannadasan came to light that congressmen never realized the power of film. Kannadasan opined that they decried the Cinema and we used it. DMK introduced symbols and references and the party rode to rising popularity of cinemaand film artists like MGR brought great popularity to the DMK lead by Anna. As a young lieutenant of DMK Peraringer C.N.Annadurai (most reverentially called Anna) had written number of dramas as vehicles for social reform and non-brahmin self-respect ideology. From dramas Anna entered the film industry. Anna wrote six screen plays including the famous “Velaikkari (servant maid)” as he believed that through screen play he can educate the people of Tamil Nadu. But it was Kalaiger Karunanidhi’s (Kalainger) Parasakthi that stunned the Tamil audience and it had become the “Paradise Lost” for Tamil people in terms of lively and scintillating dialogues in chaste Tamil that people had begun to admire with awe and majesty (4). Hard Grave further states that Film artists brought glamour and electoral support to the DMK, and actors graced the platforms of party rallies. Some stars, like M.G.Ramachandran, converted their popularity on the screen in to successful bids for seats in the Legislative Assembly. The entry of the Dravidian Movement into the film industry brought a new era in the Tamil screen. In the years before 1949-1950, film dialogue had been awkward. Anna and Kalainger brought particular prominence to the spoken word, and in the early DMK films, dialogue was of a highly literary, almost like formal speeches. These speeches, whether from the platform or the cinema screen, come as "rain of words" (sorpozhivu) and have popularized a highly ornate form of spoken Tamil (5). Objective of this research work is • To report and analyse how a nascent childhood stage artist emerged as a Super-hero who attained the status of matinée idol. Subsequently, turned as a charismatic political leader to rule the state of Tamil Nadu as the Chief Minister for three consecutive times and introduced popular welfare schemes to improve the living conditions of the poor’s. The accolades made by his follower (late Hon’ble Chief Minister of Tamil Nadu Selvi Dr.Jayaraman Jayalalitha respectfully called as “Manbumigu Amma” (Hon’ble mother). • To Report and Analyse the ideas of economics, equity and social justice, advocated in the identified MGR film songs and compare the same with the relevant theories more specifically with that of what was propounded by Karl Marx using a novel methodology evolved. II. H ypothesis for the P roposed R esearch W ork Hypotheses are tentative statements that add directions to the purpose of the study. In this study the following hypotheses were formulated and as per practice the hypotheses are to be accepted or rejected. Hypothesis I: There is no significant difference between the same Lyricist reiterating the specific ideas of Socialism and Communism, in the various songs of different MGR Films. Hypothesis II: There is no significant difference between different Lyricists uses the unique ideas of equity and social justice more specifically socialism and communism in various songs of different MGR films. Hypothesis III: There is no significant difference between the use of media by MGR and to propagate the unique ideas of socialism and communism, among his fans. Hypothesis IV: There is no significant difference between the ideology and social welfare ideas contained in various MGR film songs and the welfare schemes implemented by MGR as the Chief Minister of Tamil Nadu. Limitations of the Study As it is a new area of research, the literature review was limited to the extent of theoretical genesis to make a comparative analysis with the contexts of the film song that contains the idea of Communistic and Socialistic Ideas. Volume XXII Issue V Version I 40 ( ) Global Journal of Human Social Science - Year 2022 © 2022 Global Journals A A Study on Bharat Ratna Dr.M.G.Ramachandran’s Philosophical Film Songs that Contain the Ideas of Socialistic and Communistic Ideas Which can be Compared More Specifically with the Communist Manifesto as Propounded by Karl Marx and Engels – An Academic Comparative Study, using a Novel Methodology