Global Journal of Human-Social Science, A: Arts and Humanities, Volume 23 Issue 1

itself, it is designed to incite a person to prayer and repentance, since a temple is a place where the earthly connects with the heavenly. The main object of modern research is the regional features of church painting, which indicates an understanding of the importance of analyzing artistic aspects on the basis of regional material. At the same time, it seems relevant to study the creativity and various components of the creativity of individual Ukrainian artists, in particular icon painters. The main task of monumental painting, as well as other types of church art, is the upbringing and formation of a person, bringing his soul into a prayerful contemplative state. The Byzantine style in temple painting is designed to help a person "rest in God." The use of the 3D style in temple murals, on the one hand, is due to the desire to give greater meaning to iconographic images and plots, on the other hand, it ties the viewer’s attention to these images themselves, transferring from the speculative to the visual, which ultimately can contribute to a return to pagan perception temple. R eferences R éférences R eferencias 1. Popova O.S., Sarabyanov V.D. Painting of the End of the X - the Middle of the XI Century. p. 185. 2. Smolina. O.O. The specificity of "monastic" and "monastic" in the Orthodox Christian culture. // Culture and civilization. (1) 2011, pp. 44-46. 3. Simonova A. V. Byzantine traditions in modern paintings of Orthodox churches of Ukraine (end of the 20th - beginning of the 21st century) Kharkiv. 2015. 198 p. 4. Popova O. S. Ways of Byzantine Art. M. GAMMA- PRESS, 2013. - 460 pages. 5. Tsugorka O. P. The sacred art of painting: a national scientific reflection // Bulletin of the National Academy of Managerial Personnel of Culture and Arts No. 4'2016. Р . 118. 6. Berehovska H. Mykhailo Boychuk and Svyatoslav Gordynskyi: to the problem of artistic influence / H. Berehovska // Ukrainian Studies. - 2012-2013. – No. 13-14. - P. 289-296. – Access mode: http://nbuv. gov.ua/jpdf/Us_2012-2013_13-14_33.pdf 7. New visual culture in the media space / New visual culture in the media space URL: https://age-info. com/2019/06/new-visual-culture-in-mediapro/ (accessed 04/17/2021). 8. Mitchell, W.J.T. Picture Theory. Chicago: University of Chicago Press. 1994. P. 76. 9. Bart R. Camera lucida. Commentary on the photo. Moscow: AD Marginem Press. 2011, p. 53. 10. Taylor P. Pattern Recognition and Rapidly Changing Capitalism: What the Literature Says to Flow Theorists // Hora. 2008. No. 1. P.31. 11. Savchuk V. V. Philosophy of photography. St. Petersburg: Academy of Cultural Research. 2015. р . 28. 12. Reutov A.S. Visual studies of modern culture: a phenomenological aspect: Abstract of the thesis. cand. dis. N. Novgorod. 2018. р . 23. © 2023 Global Journals Volume XXIII Issue I Version I 34 Global Journal of Human Social Science - Year 2023 ( ) A Features of the Programs of Murals of Modern Ukrainian Orthodox Churches