Global Journal of Human Social Science, C: Sociology and Culture, Volume 23 Issue 2

© 2023 Global Journals Volume XXIII Issue II Version I 32 ( ) Global Journal of Human Social Science - Year 2023 C “If you haven’t been Exploited, you are not in the Live Music Industry”: Decent Work and Informality in the Live Music Ecosystem in South Africa 64. OECD (2020) Culture shock: Covid-19 and the cultural and creative sectors. http://www.oecd.org/ coronavirus/policy-responses/culture-shock-Covid- 19-and-the-cultural-and-creative-sectors-08da9e0e/ 65. Olsen, K. (2014). Music and Social Change in South Africa: Maskanda Past and Present. Philadelphia PA: Temple University Press 66. PWC (2019). Africa Entertainment and Media Outlook 2019-2023. https://www.pwc.co.za/en/pub lications/entertainment-and-media-outlook.html 67. Perry, E.G., Maloney, W.F., Arias, O.S., Fajnzylber, P., Mason, A.D. and Saavedra-Chanduvi, J. (2007). Informality: exit and exclusion. World Bank, Washington, DC. 68. Pyper, B. (2016). Jazz Festivals and the Post- Apartheid Public Sphere: Historical Precedents and the Contemporary Limits to Freedom. The World of Music (new series) 5(2): 107-123. 69. SACO (South African Cultural Observatory). (2019). The Employment of Youth and Women in Cultural Occupations in South Africa. https://www.southafri canculturalobservatory.org.za/document-library. 70. ———. (2021). Measuring the impact of the COVID- 19 Crisis on the Cultural and Creative Industries in South Africa: One year on. https://www.southafri canculturalobservatory.org.za/article/the-sa-cultural- observatory-measuring-and-valuing-sa-s-cultural- and-creative-industries-december-2021 71. ———. (2022). The Economic Mapping of the Cultural and Creative Industries in South Africa 2022. Capstone Report. https://www.southafrican culturalobservatory.org.za/article/the-sa-cultural-obs ervatory-measuring-and-valuing-sa-s-cultural-and- creative-industries 72. SAGA (South African Guild of Actors). (2020). Submissions by the South African Guild of Actors to Government Notice Number R1591 dated 11 December 2019, entitled: “Intention to Deem Persons in the Firm and Television Industry as Employees for Purposes of Some Parts of the BCEA and LRA.” https://www.saguildofactors.co.za/sites/ default/files/downloads/SAGA%20submission%20- %20IC%20deemed%20as%20Employees.pdf. 73. Salrc (South African Law Reform Commission). (2021). Media statement by the South African Law Reform Commission concerning its release of Discussion Paper 153 On Project 143: Investigation into Maternity and Parental Benefits for Self Employed Workers in the Informal Economy. https:// www.justice.gov.za/salrc/media/20210719-prj143- dp153.pdf. 74. Saxena, M. (2021). Cultural Skills as drivers of decency in decent work; an investigation of skilled workers in the informal economy, European Journal of Work and Organizational Psychology, 30 (6): 824- 836, https://doi.org/10.1080/1359432X.2021.19187 60 75. Snowball, J. and Hadisi, S. (2020). Do the Cultural Industries Offer Labour Market Opportunities for Women and Youth? A Global South Case Study. Cultural Trends . 29(4): 267–286. https://doi.org/10. 1080/09548963.2020.1811615. 76. SALRC 2021 South African Law Reform Commission, URL https://www.justice.gov.za/salrc/ media/20210719-prj143-dp153.pdf. 77. Stewart, A. and Stanford, J. (2017). Regulating work in the gig economy: What are the options? Regulating work in the gig economy: What are the options? The Economic and Labour Relations Review , 28(3): 420-437 https://doi.org/10.1177/103 5304617722461 78. Toynbee, J. (2000). Making Popular Music. London: Arnold. 79. United Nations (2008). The Creative Economy: Report 2008: The Challenge of Assessing the Creative Economy: towards informed Policy Making. https://unctad.org/webflyer/creative-economy-report -2008-challenge-assessing-creative-economy-towar ds-informed-policy 80. UNESCO (2013). Creative Economy Report 2013: Widening local development pathways. https://en. unesco.org/creativity/monitoring-and-reporting/pub lications/creative-economy-report-2013 81. UNESCO (2018). Re|Shaping Cultural Policies https://en.unesco.org/creativity/global-report-2018 82. Vanek, J., Chen, M.A., Carré, F., Heintz, J. and Hussmanns, R. (2014). Statistics on the Informal Economy: definitions, regional estimates & challenges. Women in Informal Employment: Globalizing and Organizing (WIEGO) 83. White, J. (2021). Disappearing Income in Music in Africa. https://www.musicinafrica.net/magazine/dis appearing-income-impact-COVID-19-creative-indus try